Ian Dury

Ian Robins Dury (12 May 1942 – 27 March 2000) was an English rock and roll singer, lyricist, bandleader and actor who initially rose to fame during the late 1970s, during the punk and New Wave era of rock music. He is best known as founder and lead singer of the British band Ian Dury and the Blockheads, who were one of the groups of the New Wave era in the UK.

Biography

Early life

Dury was born in north-west London at his parents' home at 43 Weald Rise, Harrow Weald, Harrow (although he often pretended, and indeed all but one of his obituaries in the national press stated, that he was born in Upminster, Havering).^[1] His father, William George Dury (born 23 September 1905, Southborough, Kent; died 25 February 1968), was a bus driver and former boxer, while his mother Margaret (known as "Peggy", born Margaret Cuthbertson Walker, 17 April 1910, Rochdale, Lancashire) was a health visitor, the daughter of a Cornish doctor, and granddaughter of an Irish landowner.

William Dury trained with Rolls-Royce to be a chauffeur, and was then absent for long periods, so Peggy Dury took Ian to stay with her parents in Cornwall. After the Second World War, the family moved to Switzerland, where his father chauffeured for a millionaire and the Western European Union. In 1946 Peggy brought Ian back to England and they stayed with her sister, Mary, a physician in Cranham, a small village bordering Upminster. Although he saw his father on visits, they never lived together again.^[2]

At the age of seven, he contracted polio; very likely, he believed, from a swimming pool at Southend on Sea during the 1949 polio epidemic. After six weeks in a full plaster cast in Truro hospital, he was moved to Black Notley Hospital, Braintree, Essex, where he spent a year and a half before going to Chailey Heritage Craft School, East Sussex, in 1951. Chailey was a school and hospital for disabled children, and believed in toughening them up, contributing to the observant and determined person Dury became.^[3] Chailey taught trades such as cobbling and printing, but Dury's mother wanted him to be more academic, so his aunt Moll arranged for him to enter the Royal Grammar School, High Wycombe where he recounted being punished for misdemeanours by being made to learn long tracts of poetry until a housemaster found him sobbing and put a stop to it:

I had to go into a box room where the suitcases were stored and learn 80 lines of Ode to Autumn by yer man Keats. If I got a word wrong I had to go back, they added that to the end of the sentence and after five nights of this my head had definitely gone.^[4]

He left the school at the age of 16 to study painting at Walthamstow Art College,^[5] having gained GCE 'O' Levels in English Language, English Literature and Art.^[6]

From 1964 he studied art at the Royal College of Art under British artist Peter Blake, and in 1967 took part in a group exhibition, Fantasy and Figuration, alongside Pat Douthwaite, Herbert Kitchen and Stass Paraskos at the Institute of Contemporary Arts in London.^[7] When asked why he did not pursue a career in art, he said, "I got good enough [at art] to realise I wasn't going to be very good." From 1967 he taught art at various colleges in the south of England.^[8]

Dury married his first wife, Elizabeth "Betty" Rathmell (born 12 August 1942, Leamington Spa, Warwickshire), on 3 June 1967 and they had two children, Jemima (born 4 January 1969, Hounslow, Middlesex) and the recording artist Baxter Dury.^[8] Dury divorced Rathmell in 1985, but remained on good terms. He also cohabited with a teenage fan, Denise Roudette,^[8] for 6 years after he moved to London.

Kilburn & the High Roads

Dury formed Kilburn & the High Roads (a reference to the road in North West London) in November 1970.^[9] Dury was vocalist and lyricist, co-writing with pianist Russell Hardy and later enrolling into the group a number of the students he was teaching at Canterbury College of Art, including guitarist Keith Lucas (who later became the guitarist for 999 under the name Nick Cash) and bassist Humphrey Ocean. Managed first by Charlie Gillett and Gordon Nelki and latterly by fashion entrepreneur Tommy Roberts, the Kilburns found favour on London's pub rock circuit and signed to Dawn Records in 1974, but despite favourable press coverage and a tour opening for The Who, the group failed to rise above cult status and disbanded in 1975.

The Blockheads

Under the management of Andrew King and Peter Jenner, the original managers of Pink Floyd, Ian Dury and the Blockheads quickly gained a reputation as one of the top live acts of New Wave music. They built up a dedicated following in the UK and other countries and scored several hit singles, including "What a Waste", "Hit Me With Your Rhythm Stick" (which was a UK number one at the beginning of 1979, selling just short of a million copies), "Reasons to be Cheerful, Part 3" (number three in the UK in 1979), and the rock and roll anthem "Sex & Drugs & Rock & Roll". (Although it is sometimes claimed that Dury coined the phrase, there is evidence that it was already in common use and a virtually identical wording was used by Australian band Daddy Cool for the title of their second album Sex, Dope & Rock'n'Roll: Teenage Heaven, released in 1972.^[10]) The tune is based on part of Charlie Haden's bass solo on "Ramblin'" on Ornette Coleman's 1959 album Change of the Century.

Dury's lyrics are a distinctive combination of lyrical poetry, word play, observation of British everyday (working-class) life, acute character sketches, and vivid, earthy sexual humour. "This is what we find ... [H]ome improvement expert Harold Hill of Harold Hill, Of do-it-yourself dexterity and double-glazing skill, Came home to find another gentleman's kippers in the grill, So he sanded off his winkle with his Black & Decker drill." The song "Billericay Dickie" continues this sexual content, rhyming "I had a love affair with Nina, In the back of my Cortina" with "A seasoned-up hyena Could not have been more obscener".

The Blockheads' sound drew from its members' diverse musical influences, which included jazz, rock and roll, funk, and reggae, and Dury's love of music hall. The band was formed after Dury began writing songs with pianist and guitarist Chaz Jankel (the brother of noted music video, TV, commercial and film director Annabel Jankel). Jankel took Dury's lyrics, fashioned a number of songs, and they began recording with members of Radio Caroline's Loving Awareness Band—drummer Charley Charles (born Hugh Glenn Mortimer Charles, Guyana 1945), bassist Norman Watt-Roy, keyboard player Mick Gallagher, guitarist John Turnbull – and former Kilburns saxophonist Davey Payne. An album was completed, but major record labels passed on the band. However, next door to Dury's manager's office was the newly formed Stiff Records, a perfect home for Dury's maverick style. Their classic single "Sex & Drugs & Rock and Roll" marked Dury's Stiff debut and although it was banned by the BBC it was named Single of the Week by NME on its release.^[11] It was soon followed by the album New Boots and Panties!!, which was eventually to achieve platinum status.

In October 1977 Dury and his band started performing as Ian Dury & the Blockheads, when the band signed on for the Stiff "Live Stiffs Tour" alongside Elvis Costello & the Attractions, Nick Lowe, Wreckless Eric, and Larry Wallis. The tour was a success, and Stiff launched a concerted Ian Dury marketing campaign, resulting in the Top Ten hit, "What a Waste", and the classic hit single, "Hit Me With Your Rhythm Stick", which reached #1 in the UK, was notably not included on the original release of their subsequent LP Do It Yourself. Both the single and its accompanying music video featured Davey Payne playing two saxophones simultaneously during his solo, in evident homage to jazz saxophonist Rahsaan Roland Kirk, whose 'trademark' technique this was.

The band's second album Do It Yourself was released in June 1979 in a Barney Bubbles-designed sleeve of which there were over a dozen variations, all based on samples from the Crown wallpaper catalogue. Bubbles also designed the Blockhead logo (illustrated on the left) which received international acclaim,^[12] and continued to be used by the Blockheads after Dury's death, e.g. on their DVD: Live in Colchester 2004.

Jankel left the band temporarily and relocated to the U.S. after the release of "What A Waste" (his organ part on that single was overdubbed later) but he subsequently returned to the UK and began touring sporadically with the Blockheads, eventually returning to the group full-time for the recording of "Hit Me With Your Rhythm Stick"; according to Mickey Gallagher, the band recorded 28 takes of the song but eventually settled on the second take for the single release. Partly due to personality clashes with Dury,^[11] Jankel quit the group again in 1980, after the recording of the Do It Yourself LP, and he returned to the USA to concentrate on his solo career. The group worked solidly over the eighteen months between the release of "Rhythm Stick" and their next single, "Reasons To Be Cheerful", which returned them to the charts, making the UK Top 10. Jankel was replaced by former Dr. Feelgood guitarist Wilko Johnson, who also contributed to the next album Laughter and its two minor hit singles, although Gallagher recalls that the recording of the Laughter album was difficult and that Dury was drinking heavily in this period.^[11] In 1980–81 Dury and Jankel teamed up again with Sly and Robbie and the Compass Point All Stars to record Lord Upminster. The Blockheads toured the U.K and Europe throughout 1981, sometimes augmented by jazz legend Don Cherry on trumpet, ending the year with their only tour of Australia.^[13] The Blockheads disbanded in early 1982 after Dury secured a new recording deal with Polydor Records through A&R man Frank Neilson. Choosing to work with a group of young musicians which he named The Music Students, he recorded the album Four Thousand Weeks' Holiday. This album marked a departure from his usual style and was not as well received by fans for its American jazz influence.

The Blockheads briefly reformed in June 1987 to play a short tour of Japan, and then disbanded again. In September 1990, following the death from cancer of drummer Charley Charles, they reunited for two benefit concerts in aid of Charles' family, held at The Forum, Camden Town, with Steven Monti on drums. In December 1990, augmented by Merlin Rhys-Jones on guitar and Will Parnell on percussion, they recorded the live album Warts & Audience at the Brixton Academy.^[13]

The Blockheads (minus Jankel, who returned to California) toured Spain in January 1991, then disbanded again until August 1994 when, following Jankel's return to England, they were invited to reform for the Madstock Festival in Finsbury Park; this was followed by sporadic gigs in Europe, Ireland, the U.K. and Japan through late 1994 and 1995.^[13] In the early 1990s, Dury appeared with English band Curve on the benefit compilation album Peace Together. Dury and Curve singer Toni Halliday shared vocals on a cover of the Blockheads' track "What a Waste".

In March 1996 Dury was diagnosed with cancer and, after recovering from an operation, he set about writing another album. In early 1998 he reunited with the Blockheads to record the well-received album Mr Love-Pants. In May, Ian Dury & the Blockheads hit the road again, with Dylan Howe replacing Steven Monti on drums. Davey Payne left the group permanently in August and was replaced by Gilad Atzmon; this amended line-up gigged throughout 1999, culminating in their last performance with Ian Dury on 6 February 2000 at the London Palladium. Dury died six weeks later on 27 March 2000.^[13]

The Blockheads have continued after Dury's death, contributing to the tribute album Brand New Boots And Panties, then Where's The Party. The Blockheads still tour, and are currently recording a new album. They currently comprise Jankel, Watt-Roy, Gallagher, Turnbull, John Roberts on drums, Gilad Atzmon and Dave Lewis on saxes. Derek The Draw (who was Dury's friend and minder) is now writing songs with Jankel as well as singing. They are aided and abetted by Lee Harris, who is their 'aide de camp'.

Spasticus Autisticus

Dury's 1981 song "Spasticus Autisticus"—written to show his disdain for that year's International Year of Disabled Persons, which he saw as patronising and counter-productive—was banned by the BBC. Dury was a disabled person himself, having been left crippled by childhood polio. The lyrics were uncompromising:

So place your hard-earned peanuts in my tin

And thank the Creator you're not in the state I'm in

So long have I been languished on the shelf

I must give all proceedings to myself

The song's refrain, "I'm spasticus, autisticus" was inspired by the response of the rebellious Roman gladiators in the film Spartacus, who, when instructed to identify their leader, all answered, "I am Spartacus", to protect him. According to Professor George McKay, in a 2009 article in Popular Music called 'Crippled with nerves' (an early Dury song title):

Ian Dury, that ‘flaw of the jungle’, produced a remarkable and sustained body of work that explored issues of disability, in both personal and social contexts, institutionalisation, and to a lesser extent the pop cultural tradition of disability. He also, with the single ‘Spasticus Autisticus’ (1981), produced one of the outstanding protest songs about the place of disabled people in what he called ‘normal land’.^[14]

Acting and other activities

Dury's confident and unusual demeanour caught the eyes of producers and directors of drama. His first important and extensive role was in Farrukh Dhondy's mini-series for the BBC, King of the Ghetto (1987), a drama set in London's multi-racial Brick Lane area with a cast led by a young Tim Roth. Dury had small parts in several films, probably the most well-known of which was Peter Greenaway's The Cook, the Thief, His Wife & Her Lover, as well as cameo appearances in Roman Polanski's Pirates and the Sylvester Stallone science fiction film Judge Dredd. He also made an appearance in the film Split Second starring Rutger Hauer and Kim Catrell

Dury also wrote a musical, Apples, staged in London's Royal Court Theatre. He had a small supporting role in The Crow: City of Angels, directed by Tim Pope, who had directed a few of Dury's music videos. He also appeared alongside fellow lyricists Bob Dylan and Tom Waits, respectively, in the movies Hearts of Fire (1987) and Bearskin: An Urban Fairytale (1989). In 1987 he appeared as the narrator (Scullery) in Road at the Royal Court Theatre. Among the cast was actress and singer Jane Horrocks, who cohabited with Dury until late in 1988, although the relationship was kept discreet.^[15]

Dury wrote and performed the theme song "Profoundly in Love with Pandora" for the television series The Secret Diary of Adrian Mole, Aged 13¾ (1985), based on the book of the same name by Sue Townsend, as well as its follow-up, The Growing Pains of Adrian Mole (1987). Dury turned down an offer from Andrew Lloyd Webber to write the libretto for Cats (from which Richard Stilgoe reportedly earned millions). The reason, said Dury, "I can't stand his music."^[16] "... I said no straight off. I hate Andrew Lloyd Webber. He's a wanker, isn't he? ... [E]very time I hear 'Don't Cry for Me Argentina' I feel sick, it's so bad. He got Richard Stilgoe to do the lyrics in the end, who's not as good as me. He made millions out of it. He's crap, but he did ask the top man first!"^[17]

When AIDS first came to prominence in the mid-1980s, Dury was among celebrities who appeared on UK television to promote safe sex, demonstrating how to put on a condom using a model of an erect penis. In the 1990s, he became an ambassador for UNICEF, recruiting stars such as Robbie Williams to publicise the cause. The two visited Sri Lanka in this capacity to promote polio vaccination. Dury appeared with Curve on the Peace Together concert and CD (1993), performing "What a Waste", with benefits to the Youth of Northern Ireland. He also supported the charity Cancer BACUP.

Dury appeared in the Classic Albums episode that focused on Steely Dan's album, Aja. Dury commented that the album was one of the most "hopeful" he'd ever heard, and that the album "lifted [his] spirits up" whenever he played it. He also felt that it showed Steely Dan's love for jazz musicians and that it had "California in its blood...[even though it was recorded by] boys from New York."

Dury also appeared at the end of the Carter USM track 'Skywest & Crooked' narrating from the book Don Quixote. The track appeared on 1992 – The Love Album.

Illness

It was known for some time before his death that Dury had cancer. He was diagnosed with colorectal cancer in 1996 and underwent surgery, but tumours were later found in his liver, and he was told that his condition was terminal. Upon learning of his illness Dury took the opportunity to marry his girlfriend, sculptress Sophy Tilson, with whom he had two children, Billy and Albert.

In 1998, his death was incorrectly announced on XFM radio by Bob Geldof, possibly due to hoax information from a listener.

In 1999, Dury collaborated with Madness on their first original album in fourteen years on the track "Drip Fed Fred". Suggs and the band cite him as a great influence. It was to be one of his last recordings.

Ian Dury & The Blockheads' last performance was a charity concert in aid of Cancer BACUP on 6 February 2000 at The London Palladium, supported by Kirsty MacColl and Phill Jupitus. Dury was noticeably ill and had to be helped on and off stage.

Death

Dury died of metastatic colorectal cancer on 27 March 2000, aged 57. An obituary in The Guardian read: "one of few true originals of the English music scene".^[16] Meanwhile, he was described by Suggs, the singer of Madness, as "possibly the finest lyricist we've seen." The Ian Dury website opened an online book of condolence shortly after his death, which was signed by hundreds of fans. The 250 mourners at his funeral included fellow musicians Suggs and Jools Holland as well as other "celebrity fans" such as MP Mo Mowlam.

Legacy

Dury's son, Baxter Dury, is also a singer. He sang a few of his father's songs at the wake after the funeral, and has released his own albums – Len Parrot's Memorial Lift and Floor Show.

In 2002, a "musical bench" was placed in a favoured viewing spot of Dury's, Poet's Corner, near Pembroke Lodge, within Richmond Park, south-west London (see map at the Richmond Gate). This solar powered seat was intended to allow visitors to plug in and listen to eight of his songs as well as an interview, but has been subjected to repeated vandalism.

In 2009, a musical about his life entitled Hit Me! The Life & Rhymes of Ian Dury, was premiered at the Leicester Square Theatre in London, running from 6 January-14 February 2009.^[18]

Principal photography for the biopic Sex & Drugs & Rock & Roll began in May 2009.^[19] Starring Andy Serkis as Dury, the film was released on 8 January 2010. Ray Winstone and Naomie Harris also appeared.

A musical, Reasons to be Cheerful, was produced by the Graeae Theatre Company in association with Theatre Royal Stratford East and New Wolsey Theatre. Set in 1979 the musical featured Dury classics in a "riotous coming-of-age tale". The 2010 production was supported by the Blockheads, while Sir Peter Blake, donated a limited edition print of the Reasons to be Cheerful artwork.^[20]

Discography

See also

• Barney Bubbles
• Stiff Records
• Bus Driver's Prayer
• Sex & Drugs & Rock & Roll (film)

Quotations

NME – December 1977^[21]

NME – June 1979^[22]

References

Further reading

• Guinness Book of British Hit Singles 7th Edition
• George McKay (2009). '"Crippled with nerves": popular music and polio, with particular reference to Ian Dury'. Popular Music vol. 28:3, pp. 341–365.
• Will Birch (2011). Ian Dury: The Definitive Biography

External links

• Official website
• theblockheads.com: The Blockheads' Biography
• theblockheads.com: The Blockheads' Discography
• New Ian Dury Biography by Will Birch
• Guardian obituary for Ian Dury
• Jools Holland biography of Ian Dury (archived 2003)
• BBC News website report on Dury's funeral
• BBC Music artist biography
• Dury's obituary in The Times
• 17 August 1998 interview with The Independent ("Ian Dury: Great sense of tumour")
• Institute for Performing Arts Development
• BBC iPlayer Desert Island Discs, 31 March 1996